A Tale of Two Kitties

In my house lives a cat named Silas. Silas is an orange tabby and almost as big as my house. He just turned two, so it's time to take him for his physical and see if he's overweight, which I'm pretty sure he is. 

Left: Kitt looking down on Silas before the tables turned. Top 

right: Silas trying to fit his rear in a space too kitties 

too small. Bottom right: Kitt's fanny fitting nicely even though

she's supposedly overweight. Image copyright, Teece Aronin.

The reason I'm not totally sure, is that his head has been mistaken for a basketball by people catching it in their peripheral vision, and if his head is that big, maybe the rest of him should be big, too. 

Then again, there's the article I just read saying cats should have an "hourglass" shape when you look down at them. Silas has an armadillo shape, so that lands me back at square one, thinking he must be overweight.

My kids and I have another cat, too, a gray tabby named Kitt. The vet recently told us Kitt's overweight, but because she looks like a grape in comparison with Silas' watermelon, we weren't aware of it. We have since put both cats on a feeding schedule instead of letting them graze and bought them food puzzles so that they'll burn more calories than they do by whining, which is the only effort they had previously put out in order to eat.

There are some interesting differences between the two cats because of their size difference. When Kitt "knocks" at my bedroom door, it's a dainty little tap-tap. When Silas knocks, bolts rattle, knobs come loose, and door jambs splinter.

When Kitt jumps onto the cat tree, she's like an agile dancer doing a stag leap. When Silas jumps onto the cat tree, he's like an aging athlete trying to do what he used to do and can't quite do anymore. Or better yet, like King Kong taking a running leap at the Empire State Building. 

When Kitt jumps to the floor, she makes a girlish little oop sound. And when Silas jumps to the floor, he makes a sound frighteningly similar to the human, "ugh!" When Kitt jumps to the floor, you hear a tiny thump, but when Silas jumps to the floor, it sounds like a drunk at a wedding falling on the dance floor.  

Both cats enjoy lying on my bed. Kitt takes up a fraction of the space Silas does, and Silas always seems in danger of falling off both sides of the bed at once. 

As long as they're healthy, I don't care how fat they are, because I love them just the way they are.

Come to think of it, that's what I'd want people to say about me - just not when I can hear them.  

Rubenesque

Peter Paul Rubens appreciated voluptuous female forms. And as a female whose own form flirts with voluptuousness (and has occasionally kissed it on the mouth and even married it), I appreciate him for appreciating it.

Rubens was a Flemish Baroque painter known for his flamboyant oils depicting big and beautiful women. Anyone who took Art History 101 knows that Rubens is the reason we have the term "Rubenesque" to describe amply-built women. And actually, the definition of Rubenesque, according to Dictionary.com, is surprisingly complementary: ". . . having the physique associated with Rubens' portraits of women; plump and attractive."

Somewhere around 1626, Ruben's wife died and four years later, at age 53, he married his niece, Hélène Fourment, and she modeled for him several times, including for the aptly titled Portrait of Hélène Fourment. 

If you look at the painting, you'll see Hélène was a chunky little hunk of cheesecake, and despite clutching that whatever-it-is around herself, her attempt to cover up seems a bit half-hearted. Why, she isn't even really all that covered. And her right arm, instead of concealing her breasts, seems to be shoving them up as if she's saying, "Take THIS! I mean, take THESE!"

I can't help liking Hélène. And she'd probably tell you that if you have a problem with her body, including her cattywompus, boosted-up breasts, then you can just get out of the museum. And her husband would no doubt show you the door. 

I wish I were that comfortable in my own skin, especially when my skin has more than the usual amount of me to cover.

Of course, throughout history, and in a variety of cultures, good-sized women have been revered. Hundreds of years ago, heavier equated to wealth, luxury and a life free of manual labor. That's also why so many of the affluent subjects of Baroque- and Renaissance-period paintings are fair-skinned, because having a tan meant you probably toiled in a field every day. 

So Rubens, with his affection for bigger women, wasn't alone. There would have been plenty of men sitting at the same banquet table, raising a chalice to grand and pasty ladies.

Personally, I feel better when I'm not very heavy. I have more energy when I'm thinner, somewhere around a size eight or 10. But if you're a Rubenesque woman, and you feel good about yourself and you're healthy, then I say amen, sister!

And I have to admit, I'd love to have a modern-day Rubens walk up and beg me to model for him. I'd say no of course, all coy and blushing.