Let Us Be Batesful

Thanksgiving is this Thursday and I was just thinking - before the death of Norma Bates, she and her son, Norman must have spent some lonely holidays together. I think when Alfred Hitchcock directed Psycho, he should have included some flashbacks to show us what those holidays were like. But since it's too late for that, I'm stuck using my imagination. 

A Batesful Thanksgiving by

Teece Aronin. Available at the

phylliswalter store on Redbubble.com

I came up with one scenario for how Mrs. Bates could have met her end if her end had fallen on Thanksgiving. Actually, in this scenario, Thanksgiving is instrumental in bringing about her end. I offer it here in hopes that it will make your relatives look better to you this year. You can thank me later. 

Now, picture with me if you will . . .

. . . a Thanksgiving morning, and, as usual, the neon vacancy light burns with hope beside the Bates Motel. Switching that light on is a task Norman Bates has performed in a perfunctory way ever since the new highway went in, routing traffic away from the motel that he and his mother run. 

Behind the motel, high up on a hill is the house Norman shares with his mother. It is a dark, tumbledown Gothic monstrosity - or is it Victorian? Anyway, right now, the only light burning in the entire house is a dingy bulb attached to a cord that dangles from the ceiling. Norman and his mother are preparing their holiday dinner. Let's listen, shall we?

Norman (at the sink, smiling and rinsing blood from the turkey): Mother, do you think we might get any Thanksgiving travelers on their ways home tonight?

Mrs. Bates (standing at the counter next to Norman): No. And pass me those potatoes I had you bring up from the cellar. By the way, something smells off down there. What have you got stashed away?

Norman: Nothing, Mother. Really.

Mrs. Bates: Nothing mother really my foot! I asked you a question, young man, and I expect an answer!

Norman: Mother, it's just a few things I need for my new hobby. Really, the smell won't bother you at all once you get used to it. One day you won't even know I've been doing anything down there at all. 

Mrs. Bates: I highly doubt that. And just what is that smell anyway?

Norman: Pickling agents, Mother. 

Mrs. Bates: Pickling agents! Norman Bates, have you been sniffing my canning supplies again?

Norman: No, Mother. But soon you won't be needing your canning supplies, so please, let's just try to forget about it.

Mrs. Bates: What do you mean, I won't be needing my supplies?"

Norman: I simply meant, Mother, that canning seems to be to physically demanding for you lately. I think it's time you gave it up. We can afford to buy the kinds of things you used to can. 

Mrs. Bates: What do you mean "used to can?" Norman, just what kind of a ditwad are you? That canning saves us hundreds of dollars a year. With the motel not getting any business, that money comes in handy. Now, where are the onions I asked for?

Norman: Mother, you didn't ask me for any onions. 

Mrs. Bates: Well, suppose you just march your caboose down to the cellar and get some?

Norman: Yes, mother. 

Thinking what a pain in the caboose his mother's always been, Norman trudges down the cellar stairs, selects two onions, then trudges back up. Trudging is as close as Norman's ever gotten to showing his mother he's angry. He hands her the onions.

Mrs. Bates: And suppose you tell me what other of your hobby supplies I'm smelling down there? And where's the celery?

Norman: Mother, you didn't ask me for celery either.

Mrs. Bates: Oh, don't be ridiculous, Norman; of course I asked you for celery. Get down to that cellar and find some.

Now, instead of being a pain in his caboose, Norman's mother morphs in his head into being a caboose; a caboose attached to a long line of boxcars carrying highly explosive materials, jumping the tracks and plunging over a cliff to a fiery end. This time Norman stomps down to the cellar, snatches up five stalks of celery, punches them repeatedly, then stomps back upstairs. 

Mrs. Bates: You were just about to tell me; what else am I smelling down there?

Norman: Tanning chemicals, preservatives, relaxers. Oh, and some re-hydration products.

Mrs. Bates: What are you running down there, some kind of spa?

Norman (hoisting the turkey into a roasting pan): Well, let's just say, that I find it relaxing. 

Mrs. Bates: Norman, why didn't you bring up any rutabagas? 

Norman: Mother, you never said you wanted rutabagas.

Mrs. Bates: Norman, what do you take me for, a cook or a kook? I most certainly did tell you I wanted rutabagas. Now march! 

Going down for the third time, Norman storms off, accidentally striking his head on the dangling light bulb. It swings back and forth, back and forth. His mother's face is glaringly illuminated then darkly shadowed; back and forth and over and over. Seeing his mother like this makes Norman nervous. Once Norman has returned to the kitchen: 

Mrs. Bates: This hobby of yours - is it something I might enjoy?

Norman (slyly): Well, I'd be happy to expose you to it. 

Mrs. Bates: What about those preservatives? What are those for?

Norman (smiling at his mother): Mother, those preservatives could help keep you looking fresh and alive for a long, long time. 

Mrs. Bates: Hmm . . . After dinner I'd like you to show me what you've got going on down there. Maybe for once you've got yourself a hobby we can share.

Norman: Trust me, Mother. There's one thing I'd like to try with my hobby that I wouldn't want to do with anyone but you.

Mrs. Bates: Norman, I must say, that was rather sweet. 

Norman crosses the kitchen to return with a pan of steaming hot dressing. He begins spooning it into the bird's cavity.

Mrs. Bates (looking furious): Norman Bates! That is no way to stuff a turkey!

Norman (smiling again): Mother, there are all kinds of ways to stuff a turkey, and all kinds of turkeys to stuff. I'll show you what I mean after dinner . . . in the cellar.    

Gloria Steinem is 81 and Still Cool

Gloria Steinem is 81!

Fish Without a Bicycle
Illustration, copyright Teece Aronin

And she doesn't look all that different from how she looked back in the day, back when we could expect something just a little cutting yet somehow elegant flying from her lips to the media's ear on an almost daily basis.

But I'm throwing water on one of the most fiery arguments Steinem ever made: that a woman's looks don't have to define her, nor should women be sexually objectified. I agree.

I mention Steinem's looks only in the context of her being 81, and how it seems the cosmic force that launched her into 1960s psyches now stirs something into Steinem's coffee with a magic spoon, making her close to ageless so she can continue to challenge and guide in the form with which the world became so enamored years ago.

While I can't embrace every Steinem message, I have a sense that she's closer to right than I am and that I often miss her point. Remember when she quipped, "A woman without a man is like a fish without a bicycle?" I take some exception to that, particularly since fish and bicycles would make pretty weird-looking offspring. But I probably should aspire to a more full-on embrace of Steinem's point of view.

Then again, perhaps I have. After all, I have reached the point where I don't see myself as needing a man, simply preferring to share life with one. And where Steinem artfully articulated contempt for the notion that women need men, sometimes I really do need a man because I've never ridden a bicycle that . . . well, once maybe.

And if a woman wants to get someplace on a bike while enjoying a man's company and not having to pedal, she needs a man. Just ask Katherine Ross. After Paul Newman rode her all around the barnyard in Butch Cassidy and the Sundance Kid, Ross' beautiful bum no doubt ached for days, but at least her legs didn't get tired. And since that's always the trade off in that situation, I prefer to see the bike tire as half full.

I wonder if I'm now guilty of objectifying men. Ugh, liberation, equity and equality can be tricky. Let's just say that I have a great liking for men, for many of their perspectives, and for their hard work and companionship. And yes, I do see the genders as equals. 

But what really gets me, I say as I miss Steinem's point yet again, is that I'll never look as good as she when I'm 81. There are recent photos of her all over the Internet, promoting her memoir, still lean, still clad in tight-fitting jeans and body-hugging tops with a belt loosely draped around her slender hips.

Arriving home at the end of a long book tour, does Steinem groan as she eases onto the edge of the bed; does she whine as she pulls off her boots? Does she grimace while removing her jeans? Does she then step gingerly into her walk-in tub, "perfect for the senior with mobility issues?" And does she have this walk-in tub because she can't get out of an ordinary tub unassisted? I think not. Something tells me Steinem has a regular bathtub and that she gets in and out of it as easily as ever because Gloria Steinem is just that cool.

And because Steinem probably needs a walk-in tub like a fish needs a bicycle.