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| Image by Teece Aronin |
If you've been curled up in Boo Radley's porch swing and not getting out much, here's what happened: After insisting for more than five decades that her first first novel, To Kill a Mockingbird, would also be her last, Lee released Go Set a Watchman after what many believe was probably a lot of encouragement from her lawyer, Tonja Carter.
It's said that Watchman started life as the manuscript Lee first presented to her editor when she was a bright and shiny new novelist. The editor advised her to rework it and build on the book's flashbacks. The result was To Kill a Mockingbird, in which attorney, Atticus Finch, defends Tom Robinson, a Black man wrongly accused of raping a white woman in Depression-era Alabama. The book made an instant literary giant out of Lee who was struck virtually mute by the hoopla and clung tightly to her privacy forever after. She did reveal, however, that Atticus Finch was modeled after her father.
In 1963, To Kill a Mockingbird became a masterpiece of moviemaking, and Gregory Peck earned a Best Actor Academy Award® for
his portrayal of Atticus. Generations of predominantly white people revered Atticus as a model of egalitarianism. Many named babies after him and patterned their parenting styles after his. But in Watchman, his daughter, Jean Louise, is confronted by hard possibilities that her father was never the heroic defender of equality she'd always idealized.
We can see how Jean Louise would be thrown. After all, in To Kill a Mockingbird, Atticus sits up all night just outside the jailhouse. He is there to shield Tom Robinson from vigilantes — with just a floor lamp and his own shining goodness to light the way. Or so it had seemed. And so it had seemed to the millions of Atticus devotees who saw him as the purest of heroes.
Mulling that over made me think about Gregory Peck. Did Watchman's release send him spinning in his grave, yelling about his legacy? And then I wondered what a conversation between Peck and Lee might have been like if Peck visited Lee on the eve of Watchman's release. What would they have said to each other? Imagine with me, if you will:
... a stormy evening in Monroeville, Alabama, Harper Lee's hometown and inspiration for the fictional Maycomb where To Kill a Mockingbird is set. Eighty-nine-year-old Lee tugs the vinyl cover over her old Olivetti typewriter. It’s time to call it a day. For all practical purposes she is blind and deaf, but one needs no eyesight nor any hearing to find one’s way around a typewriter, especially when one has been typing for nearly 70 years.
Lee smiles to herself. She's been secretly writing novels since Mockingbird was released, and they'll all sell like hotcakes when she's gone. Currently, she's working on her 81st. "Steven King, you're a hack," she chuckles. On top of the typewriter, she plops a stack of typed papers designed to
throw off her “bloodhound of a lawyer” and those “snoopy publisher people.”
Atticus/Schmatticus, Atticus/Schmatticus, Atticus/Schmatticus reads the type.
“Atticus/Schmatticus, Atticus/Schmatticus, Atticus/Schmatticus,” chortles Ms. Lee.
Typing gibberish is how she gets to keep a typewriter without arousing suspicion. If people want to think she’s demented, let them; it's a brilliant ruse. Still, she’s miffed at herself for letting the bloodhound and the publishing people talk her into publishing the book due out tomorrow. Maybe she was demented after all. No, not demented — curious. If she hadn’t been so curious about what would happen when all those Atticus groupies got their boats rocked, she could’ve gone to her grave with her legacy intact, and they could have published the book posthumously if they took a mind to.
By the time the grits hit the fan she’d be all settled in Heaven with her harp and her halo and wouldn’t care a bit. In the event there is no afterlife, her light would have blinked sweetly out like that of a Maycomb firefly, and she wouldn’t know what people were saying. She pads on blue-veined feet to the bathroom, grateful that she needs little assistance from the young, strong staff whose hands work her over like a swarm of locusts whenever they bathe her. She lifts her nightie with one hand and grasps a grab bar with the other. She eases herself onto the toilet.
"Har-PER?" booms what Lee first fears is the voice of God but seconds later, recognizes as Gregory Peck's. She's not totally surprised. She's often wondered what Peck would think of the new-old book or the old-new book; even Lee isn't sure which it is. Not appreciating his tone, she meets fire with fire:
"Wait until I'm off the damned crapper!"
Peck, ever the gentleman, falls silent while Lee is in the bathroom.
"Could you think of no one but yourself?" he chastises as soon as she returns.
"Nope!" she replies. She sits on the bed and swings her legs in, careful not to give Peck's ghost an eyeful.
"Harper, you're making me look bad! You're sullying my image!" thunders Peck.
"Really!" barks Lee. "You didn't do that yourself when you played that whale-happy Captain Ahab? And I suppose Josef Mengele, was a kindly old doctor who retired in Brazil so he could save the rain forests! Honestly, Greg, you actors really fry my soup!"
There is a lengthy silence before the once booming voice mutters, "My apologies, ma'am."
"That's better!" Lee barks. She hikes her blankets up to her neck, turns her back on Peck's ghost, and switches off the lamp.
Atticus/Schmatticus, Atticus/Schmatticus, Atticus/Schmatticus reads the type.
“Atticus/Schmatticus, Atticus/Schmatticus, Atticus/Schmatticus,” chortles Ms. Lee.
Typing gibberish is how she gets to keep a typewriter without arousing suspicion. If people want to think she’s demented, let them; it's a brilliant ruse. Still, she’s miffed at herself for letting the bloodhound and the publishing people talk her into publishing the book due out tomorrow. Maybe she was demented after all. No, not demented — curious. If she hadn’t been so curious about what would happen when all those Atticus groupies got their boats rocked, she could’ve gone to her grave with her legacy intact, and they could have published the book posthumously if they took a mind to.
By the time the grits hit the fan she’d be all settled in Heaven with her harp and her halo and wouldn’t care a bit. In the event there is no afterlife, her light would have blinked sweetly out like that of a Maycomb firefly, and she wouldn’t know what people were saying. She pads on blue-veined feet to the bathroom, grateful that she needs little assistance from the young, strong staff whose hands work her over like a swarm of locusts whenever they bathe her. She lifts her nightie with one hand and grasps a grab bar with the other. She eases herself onto the toilet.
"Har-PER?" booms what Lee first fears is the voice of God but seconds later, recognizes as Gregory Peck's. She's not totally surprised. She's often wondered what Peck would think of the new-old book or the old-new book; even Lee isn't sure which it is. Not appreciating his tone, she meets fire with fire:
"Wait until I'm off the damned crapper!"
Peck, ever the gentleman, falls silent while Lee is in the bathroom.
"Could you think of no one but yourself?" he chastises as soon as she returns.
"Nope!" she replies. She sits on the bed and swings her legs in, careful not to give Peck's ghost an eyeful.
"Harper, you're making me look bad! You're sullying my image!" thunders Peck.
"Really!" barks Lee. "You didn't do that yourself when you played that whale-happy Captain Ahab? And I suppose Josef Mengele, was a kindly old doctor who retired in Brazil so he could save the rain forests! Honestly, Greg, you actors really fry my soup!"
There is a lengthy silence before the once booming voice mutters, "My apologies, ma'am."
"That's better!" Lee barks. She hikes her blankets up to her neck, turns her back on Peck's ghost, and switches off the lamp.









